Monthly Featured Short Stories
Many thanks to all the short story writers who continue to submit to Superlative.
Here are the fantastic short stories we have selected as feature publications in 2025.
If you would like us to consider your short story for a future feature, please submit here.
Enjoy!
One of the Boys​​​
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Open vowels lodge in the back of my throat, pooling like half-formed confessions. I choke on the ambivalence that underwrites my every word, every gesture meant to signal belonging.
I am one of the boys—at least for tonight.
Here, body checks are a dialect. Respect is measured in pounds lifted, in the hours spent pulling against resistance, dead weight growing heavier with every rep. A slap on the ass is erotically fundamental if we are to be close—our brand of intimacy, our way of pressing the logo of conservative ideology into one another’s skin like a bumper sticker on a Bentley.
Locker room talk doubles as free therapy, so long as you keep your truth brief, your struggle amusing.
Public outings are game days for the players. Bonus points if you can make your girlfriend cry with that charming vagueness of yours, that practiced ambiguity. Her mascara runs down her face like war paint, darkening her view of you—of herself—wondering what part of her believed your emptiness was generosity.
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My medal of HONORARY BOY hangs from my neck, gleaming with false light. Her joy is the offering I make to belong; I can’t cry with her, can’t let my mascara stain their view of me. Just another tax to
pay for membership.
I wear it like a costume: voice lowered, laughter sanded of melody, hands glued to my sides as if tenderness might betray me. My heart folds inward like a paper crane, too fragile to open.
I sip Brady’s beer, pour shots into Kyle’s cup, hold Harry’s hair back when he hurls. A brotherhood—no man left behind, no man left feeling too much.
It’s only when the game hits the second quarter that I falter—cheering too loudly for the wrong team, my mask slipping with the ungoverned joy of an expression I forgot to suppress.
They know.
They know.
But instead of exile, they laugh. They laugh at the bimbofication of my quarterback cosplay, wink toward the medal still swinging low across my chest, as if to say, It’ll be our little secret.
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Tonight, I earn my all-access pass to care less than the weight I carry. To laugh like a man should—not from the belly but from the performance of bravado. To prove I can be strong, unbothered, self-contained—that I too can drink too much and slap when all I really want is to hold.
Ten-hut. The tiny balls pass between brothers, touchdowns given like offerings of charity. Tit for tat. One for you, one for me. That’s how we play ball in the public arena—our communion delivered through
collisions.
And yet, there is something oddly tender in this posturing. Being one of them feels like stepping into a hug that’s too wide, too cold. Like waiting in a room with one other person, both of us choosing the
seat farthest away, still close enough to keep each other in view. We nod in passing, intimacy growing like moss on the ceiling—quiet, patient, nourished by the density of what remains unsaid.
Close, but strangers.
Winking toward the television tuned to the sports channel. This is where we’ll bond, maybe even share a laugh—not from joy, but from duty.
Until, once again, I cheer for the wrong team. My face flushes scarlet with the fever of my disguise. Knowing I’ve given myself away, I bow my mask toward the tips of my curled toes, feeling the man’s face slip from my porcelain.
With the little courage I have left, I lift my eyes to meet his—apologetic for letting myself down in this battle of the same sex. He tilts his head, a crooked smile bending his face, and raises his mask by the edges.
A quick wink.
Don’t worry about it, he seems to say. It’ll be our little secret.
​​
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By Nicky Neto
Nicky Neto is an artist and author of the unpublished book-in-progress GAP TOOTH, a collection of prose poems and lyric essays exploring the spaces between who we were and who we are becoming. He earned a BA in Acting from Point Park University in 2023 and works across writing, performance, and visual art, creating work that moves between observation, intimacy, and wonder.
Instagram: @nickyyneto
Mutualism
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1.
The first Europeans to see a platypus thought it was a joke. They jabbed at the stitched skin with knives, certain some convict taxidermist had glued a duck’s bill to an otter. Two centuries on, the Hobart City Council has a cartoon platypus smiling up from a sign that says: PLEASE KEEP DOGS ON LEADS. PLATYPUS LIVE HERE. The sign is bolted to a guardrail tagged with FUCK AURORA alongside a crude dick. I stand there with a keep-cup and your discharge summary folded in my pocket. The joke is how everyone believes a sign will be enough to protect the strangest thing in the water.
2.
In lecture I draw arrows between boxes. Termites & fungi. Wattle & rhizobia. Win-win, I say. The Metro to the Royal takes forty minutes without traffic. I ride the lift to the spinal ward and empty your catheter bag into a stainless-steel toilet. Mutualism has trouble under fluorescent tubes.
3.
We met at eleven, behind a locked door with frosted glass that said: “Unit B – Youth Justice Centre.” Intake called it “secure care.” We called it juvie. Four beds to a room, orange blankets, bolted-down furniture smelling of disinfectant and Milo. The officers liked us; we weren’t “real crims”—no aggravated burglaries, no arson. Our real crime was what the caseworker wrote in biro in the margin: no safe placement available.
​
4.
Behind the razor wire a strip of creek reached only our ears. At night, lying on our bunks, we swore we could pick out the glide of water over rock under the clang of the gates and the humming Coke machine in the rec room. “There’s platypus down there,” you whispered once, as the night staff’s torch beam moved along the bars. We had no evidence, only the shape of your certainty.
5.
The Youth Justice Centre had its own Pam. She worked in the kitchen, wrists like saplings, calves thick and bent. She wore a hairnet we made fun of and a pair of white shoes we called moonboots. Pam didn’t speak much. She moved trays, scrubbed pots. When the officers yelled her name, she flinched. We didn’t know if she was shy or simple or both. We did know she couldn’t lodge a complaint that would get us hauled into Case Conference.
6.
This one afternoon: the TV broken, the officers in a foul mood, all of us rattling in the rec room. Somebody started in on Pam. “Moonboots!” one of the older girls yelled as she came in with a trolley. “Hey moonboots, show us your space jump.” The chant caught on. You joined in. So did I. Moonboots, moonboots. Her hands shook so hard that a mug rattled off and smashed on the lino. We laughed like we’d done something clever. No one hit her. No one had to. The sound did the work. She picked up the pieces. We watched her do it.
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7.
I used to think the Home made me who I am. Now I’m not so sure. Maybe we were always going to be the kind of kids who listened for rivers under concrete and named each other’s pain after animals. Maybe that’s just what you get when you churn poverty, colonialism, and mental illness together over two generations and wait.
8.
The first time I see an actual platypus I’m thirty-seven and holding your wheelchair brakes on the rivulet path at dawn. Mist clings to the sedges; my breath ghosts in the air. We wait and wait and then, there: a small brown back curves through the surface, a slick head, the absurd bill, then the tail flick as it dives. You grip the rims of your chair hard enough to whiten your knuckles. “Told you,” you say. Platypus live here.
9.
Your injury is coded in three letters and a number: “ASIA B.” In the Royal’s registry, that means incomplete paraplegia, some sensation preserved below the lesion. In your file, the consultant has drawn your spine in biro and shaded in T12. Centrelink sends you a lime-green card with “DSP” stamped on it. The card is exactly the color of those jelly cups they hand out with Panadol.
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10.
When you try to describe what it feels like, what they call “neuropathic pain,” you always reach for fauna and weather. “Ants under the skin in steel caps,” you say. “Lightning in my shins. Bushfire in my lower back.” The physio asks, “On a scale of zero to ten?” You look at me, who cannot look at you. Neither of us answers.
11.
The Royal Hobart’s spinal ward has its own climate. It smells of chlorhexidine, sweat, stale biscuits. The air runs thick with alarms and the sigh of mattresses inflating and deflating under fragile hips. Above your bed a laminated sign lists: RISK: Falls, Pressure Injury, Autonomic Dysreflexia. Your body on the paper is a risk matrix; in the bed it is a committee of protesting parts.
12.
Neither of you speaks during morning care. The nurse pulls the curtain. She checks what needs checking. She rolls you, wipes you, re-covers you. Eighteen minutes of hands, skin, the sounds of fabric and water. When she’s done she writes in the chart. “ADLs completed with assistance x1.” As if the body is a task. As if a task can be completed.
13.
A platypus bill can pick up the electrical discharge of a yabby hiding in gravel. Your thigh can’t tell my hand from the sheet. Some days your shoulder feels fire from a breeze. Your nervous system’s mapping has gone from topographic to impressionist.
14.
At home, without staff watching, we are sloppier and more honest. Transfers involve swearing and improvisation. We have a code now: “Koala” when I’m hanging off you too tight, “Platypus” when my hand has drifted somewhere we haven’t negotiated. The first time I misjudge the angle and you end up half on the recliner, half off, legs spasming in air, we freeze. You look at me, wild-eyed, and say, “Well. This is very fucking mutual.”
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15.
We build a sex life that has nothing to do with penetration and everything to do with consent and calibration. The stick travels from the kitchen bench to the bed. Not as prop, but as gauge. I run the beveled point down your shin, watching your face for the flinch that signals a listening nerve. Then up the inside of your thigh. Less arousal and more mapping. You watch me watching you. The wood is warm from my hand. “Left a bit,” you say, eyes closed. “There.”
16.
Your bowels become a third party in our arrangement. They have their own timetable, their own moods. When we have to do digital stimulation—two words whose decorum I will always find obscene—I glove up and sit you forward and try to think of anything but my index finger learning the knots of your rectum. “This is like doing soil cores,” I say once, on autopilot. You bark a laugh. “That’s going in the book,” you say.
17.
We both know night is worse. Fewer staff, more beeps. The first time your blood pressure spikes and your face goes florid and you say, “Something’s wrong,” the night nurse offers Panadol and a pat. By the time the registrar arrives, your heart is punching, sweat pouring. They lower the head of the bed, unkink the catheter, peel off your compression stockings. Numbers on the monitor slide back from the dangerous end. They call it an “episode.” We add a new line to the private glossary: “AD,” shorthand for the time your own machinery almost cooked you from the inside.
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18.
There’s no checkbox in the taxonomy for what we had. Something between commensalism and bleeding. “Extractivism” is one word. “Love” is another, some days.
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19.
The NDIS planner comes to your flat with a laptop and a stack of paper. She wears a branded polo and practiced empathy. She asks you to rate how your disability affects “mobility,” “selfcare,” “social participation.” You answer in your usual tone. “My social participation is mostly waiting on hold,” you say. She smiles, types, ticks boxes. Later the plan arrives with less funding for “personal care” and more for “capacity building.” We both laugh until your leg spasms and the laugh turns sideways.
20.
Rakali are not on anyone’s tea towel. No one donates to “Save the Water Rat.” Their mutualism with our rubbish is grudging, opportunistic, exactly like ours with most of the species we pretend to love. Knowing it’s their teeth in the wood doesn’t make me feel any less ridiculous when my hand reaches for it. It just makes the ridiculousness more accurate.
21.
We write a contract on your kitchen whiteboard one afternoon. Two columns: WHAT YOU OWE ME / WHAT I OWE YOU. Under yours I put: “Not making me a metaphor.” Under mine you write: “Telling you when you’re being a dick.” At the bottom, you add: “Mutual right to call bullshit.”
22.
“Promise me something,” you say one afternoon, mid-spasm, the Tigers losing on TV. I say, “What.” You say, “If you write about this, don’t tidy it up. Don’t make it an uplift story.”
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23.
It happens overnight, when I’m not there. A massive autonomic dysreflexia episode in your sleep. BP through the roof, heart rate a jackhammer. The night nurse misses the first signs, thinks you’re just restless. By the time they realize, unkink the catheter, drop the head of the bed, something in your head has already blown.
24.
The neurologist explains that your spinal cord injury put you at higher risk of this kind of catastrophic miscommunication. “The system can’t regulate itself properly,” he says. “Sometimes it overshoots.” He draws the same diagram the physio once drew, only this time it ends in a little starburst in the head. I look at that pen star and think of the creek behind Unit B, the bit we never saw, and how one day they must have covered it.
25.
They turn the machine down slow. No one yanks a plug. Your chest rises and falls in smaller movements until it doesn’t. The monitor keeps drawing little hills for a while, then forgets how.
26.
Centrelink sends a letter addressed to you two weeks later. “We are sorry to hear that your circumstances have changed,” it says. They ask for your date of death. There is a box to tick: “Yes, I have read and understood this letter.” I tick it for you.
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27.
If I strip my metaphors back to the calcium, what’s left is this: the stick softened, took on water, let go of its lignin. It splintered into fibers too small to see, became substrate for algae, for biofilm, for bacteria. It lodged in a yabbie’s gut, in the gravel under someone’s sneaker, in the stomach lining of a carp that will be pulled out by an old man with nicotine fingers. It went into everything and meant nothing you can hold.
28.
The stick was never yours. Or mine. Or the platypus’s. It was a piece of a hakea or a silver wattle the council planted upstream with grant money and called “riparian revegetation.” A water rat used it, once, for its own opaque project. I interrupted that by picking it up. Then I interrupted my life for a while by letting it stand in for everything that hurt. Now the creek has it back.
29.
Child question: where does the person go when they die? Adult answer: nowhere. Cells break, proteins unhook, bacteria get busy. The patterns in other people’s nervous systems—the ones that took you into account—keep firing for a while. Then they stop.
30.
At the Royal, they called the bed you died in “Bed 4.” After you, Bed 4 had other occupants: a motorbike crash, a stroke, a septic hip. The chart with your surname on it was shredded according to protocol. The mattress was wiped down. The pump hummed under different bones. Mutualism, in the hospital’s accounting, is just throughput.
31.
I dream about the Home more often now that you’re not here to fact check me. In some dreams the creek behind Unit B is open, crowded with platypuses and water rats and fish we never had. In others it’s concreted, a black pipe humming under the rec room. In one, Pam walks out of the kitchen, moonboots squeaking, and sits on my bunk. “So,” she says, “how’s your mutualism going?” I wake up laughing and then have to get out of bed to throw up.
32.
Your file from Youth Justice, the printout I FOI’d and kept in a red folder, still lives on the top shelf of my wardrobe, under an old doona cover. Sometimes I take it down and read the case notes. “Client was observed having difficulty regulating affect.” “Client responded well to structured routines.” Nowhere does it say: “Client taught another client how to breathe through a panic attack by making fun of the officer’s moustache.” Archives are mutualisms too; what they keep alive is what the institution wants to remember.
33.
In the end, the stick is just lignocellulose. The platypus just a mammal with a bill. You are just a human whose nervous system broke under pressure. I am just another one whose didn’t. Yet. None of that alters the chemical fact: my hand reaches for two cartons of milk every time. Full cream, lactose-free. The body keeps its accounts.
34.
What we had was not a metaphor. It was a series of acts. Here is a non-exhaustive list:
— I held your piss bag while you peed into it.
— You held my throat in your hand once when I couldn’t swallow the word Home.
— We watched a small brown animal break the surface of a filthy creek at dawn and both said, at the same time, “There.” As if we’d proved something. We had.
​
35.
On a winter morning, I see a platypus surface near the “PLATYPUS LIVE HERE” sign. It floats for a second, fur beaded with water, bill like wet suede. Then it flicks its tail and goes under. No one else on the path notices. You would have noticed. You’re not here to notice. I watch the rings spread, catch the light, disappear.
36.
Platypus live here. The sign is correct and insufficient. People live here. We lived here. We don’t anymore. The water keeps moving.
​
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By Rajiv Kumra
R. Kumra was the winner of the 2026 Katherine Anne Porter Prize in Short Fiction. Inhale was first written on receipt paper and napkins in the break room of a New Jersey warehouse, then retyped into a secondhand laptop missing the letter Q. He did not own a website. He did not teach. He lived with his mother, who never read his work but told everyone at Jummah her son was a writer. She was correct.
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Website: inhale.ink
Capable
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Sarah unlocked the front door of her mother’s house and stepped inside, pulling her overnight bag across the threshold. The air was stale, undisturbed. Sarah had always been good at arriving places and knowing what to do.
​
Her mother was already at Meadowbrook for the weekend evaluation—memory testing, cognitive baseline, whatever they called the measuring of a mind—and Sarah had three days to pack forty years of a house into boxes that would fit into a single assisted-living apartment. She’d taken the time off work, rented the van, brought the labels and tape and bubble wrap. She set her bag by the stairs and walked into the kitchen to start.
​
The kitchen table was where—
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She’d sat there doing homework while her mother graded papers at the other end. Silent except for the sound of red pen on student work. Sarah would wait to ask her question until her mother looked up, which sometimes didn’t happen. She’d learned to figure things out.
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—the kitchen table was oak, heavy, worth keeping. She’d measure it later to see if it would fit through the apartment door.
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Sarah opened the cabinet under the sink and found the box of garbage bags she’d asked her mother to buy. Thirty-gallon, drawstring, the kind that could hold weight. Her mother had bought the right ones. Sarah pulled one free and shook it open with a snap.
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She started with the refrigerator because old food was easy. Expired yogurt, half-empty jars of things her mother had forgotten she’d opened, vegetables gone soft in the crisper. Sarah bagged it all without sentiment. This was the part she was good at—the sorting, the deciding, the systematic reduction of a life into keep and discard. She’d done it at the firm for twenty years. Assets and liabilities. What could be salvaged and what had to be written off.
​
By noon she’d cleared the kitchen and moved to the living room. Books on shelves that hadn’t been touched in years, dust thick enough to leave finger trails. She pulled them down in stacks, checking for inscriptions before boxing them. Most were her father’s—he’d been dead fifteen years and his books were still here, holding space. Her mother had never been much of a reader.
​
The desk was in the corner by the window, the one her mother used for correspondence and bills. Sarah sat in the chair—it squeaked, it had always squeaked—and opened the top drawer.
​
Files. Bank statements. Old tax returns rubber-banded by year. She’d need to go through those carefully, make sure nothing was missed. The second drawer: pens, paper clips, a stapler that had lost its spring. The third drawer stuck. Sarah pulled harder and it jerked open.
​
Inside: a blue folder, the kind with metal clasps, worn soft at the edges.
​
Her mother asked about the blue folder the way other people asked about medication—like something necessary was missing.
​
“Did you see a blue folder in my desk?” she’d said on the phone two days ago, her voice tight with focus. “I need it before we go.”
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“What’s in it?” Sarah had asked.
​
“Just some correspondence. It’s important.”
​
Sarah lifted the folder now and felt its weight. Not empty. She opened the clasps and looked inside.
​
Letters. Dozens of them, maybe more. Handwritten envelopes, some with return addresses, some without. The paper was good quality, cream-coloured, the kind people used when writing still mattered. Sarah pulled out the first one and unfolded it.
​
The date was 1989. The handwriting was careful, rounded, young.
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Dear Mrs. Peterson,
​
Thank you for helping me with my math homework last week. I got a B+ on the test! My mom said I should write to say thank you properly, so I am. I hope I can come over again soon.
​
Your friend, Lisa
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Sarah set the letter down on the desk. She looked at the folder. She counted—thirty, forty, maybe fifty letters. She pulled out another one, dated 1995.
​
Dear Mrs. Peterson,
​
I got into college! I can’t believe it. You were right about the essay—I rewrote it the way you suggested and I think that’s what made the difference. I don’t know how to thank you for everything you’ve done. You’ve been more of a mother to me than…
​
Sarah stopped reading. She put the letter back. She sat very still in the squeaking chair and looked out the window at the yard where nothing was moving.
​
Lisa Morrison. Her best friend from third grade through high school. The girl who’d spent more time in this house than Sarah had wanted her to, who’d stayed for dinner, who’d done homework at this table while Sarah’s mother actually helped her, who’d been at Sarah’s wedding for twenty minutes before leaving early because of work.
​
Sarah pulled out another letter. 2003. Then 2010. Then one from last year.
​
The handwriting was Lisa’s, and the warmth was her mother’s, and Sarah understood she had been reading a letter from her own childhood written to someone else.
​
​---
​​​
Sarah read through the folder systematically, the way she read contracts. Chronologically, looking for patterns, noting what was said and what wasn’t.
​
1989: Lisa thanking her for math help. Report cards improving.
​
1992: High school. Lisa struggling with her parents’ divorce, her mother’s drinking. Mrs. Peterson offering steady advice, a place to study, dinners Sarah barely remembered.
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1995: College acceptance. The essay Mrs. Peterson had edited. “You’ve been more of a mother to me than my own mother ever managed to be.”
​
Sarah set that letter aside and pulled out another. 2001. Lisa’s wedding. Mrs. Peterson had been invited. Sarah tried to remember if she’d known about it. She’d been clerking for a judge that year, working hundred-hour weeks. Her mother had mentioned going to “a former student’s wedding.” Sarah had said that was nice and gone back to her brief.
​
2008: Lisa’s first child. A daughter. Photos enclosed—Sarah could see the corner of one sticking out of an envelope. She didn’t pull it out.
​
2015: Lisa’s mother’s death. A long letter about forgiveness and whether it mattered if the person who’d failed you never understood they had.
​
Sarah’s hands stopped on that one. She read it twice.
​
“I think about whether it matters,” Lisa had written, “if my mother ever knew what she didn’t give me. And I keep coming back to: it doesn’t matter what she knew. What matters is what you did know, and did give, when I needed it. You saw I was struggling and you showed up. That’s what a mother does. The biology is the easy part.”
​
Underneath, in her mother’s careful script: “Oh, my dear girl. You deserved better than what you got, and I’m so glad I could be there. Love always.”
​
Sarah folded the letter and put it back. She looked at the remaining stack. Thirty more years of this. Thirty years of her mother being someone Sarah had never met.
​
She stood up from the desk because sitting had begun to feel like agreement. The house was quiet. Meadowbrook was twenty minutes away. Her mother would be in the community room now, doing puzzles while someone watched to see how long it took her to find the pieces that fit.
​
Sarah walked to the kitchen and filled a glass with water from the tap. The water was cold. The pipes were old and took time to warm. She’d run them as a child, waiting for hot water that would make the dish soap work, and her mother would tell her not to waste it, to wait, to be patient.
​
Her mother had said “you’ll figure it out” so many times that Sarah had, and the figuring out had left no room for anything that couldn’t be solved.
​
She set the glass down without drinking and went back to the desk. She had work to do. Three days. Forty years. She picked up the folder and carried it upstairs to her old room, where she’d sleep tonight, and set it on the nightstand like a book she’d finish before bed.
​
Then she went back downstairs and started packing the living room.
​
---
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By evening, Sarah had filled twelve boxes and labelled them in her neat block print: BOOKS - LIVING ROOM. DECORATIVE - MANTEL. PHOTOS - MISC. The house was taking shape around the absence of things. Gaps on shelves. Rectangular shadows where pictures had hung.
​
She made herself a sandwich from what was left in the refrigerator and ate it standing at the counter. No plate.
​
At eight o’clock she went upstairs, showered, and got into bed in her old room. The room was the same—her mother had never redecorated, never turned it into a craft room or an office. Just left it. The desk where Sarah had done homework. The bookshelf with her high school yearbooks still on it. The window that looked out at the backyard.
​
The folder was on the nightstand.
​
Sarah picked it up and continued reading.
​
---
​
2018: Lisa’s mother-in-law had died. Lisa was struggling with the weight of two funerals in three years, the way loss accumulated until you couldn’t tell which grief was which. Mrs. Peterson had written back about carrying sadness like a stone that got smoother over time, never lighter, but easier to hold.
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2019: Lisa’s daughter was applying to colleges. Mrs. Peterson had offered to read her essays.
Last year: Lisa’s husband had lost his job. Money was tight. Mrs. Peterson had sent a cheque. Lisa had tried to refuse it. Mrs. Peterson had insisted.
​
Sarah read that one twice. Her mother had sent money to Lisa while Sarah was paying her mother’s property taxes because her mother kept forgetting and the county had sent a warning.
​
She set the letter down and picked up her phone. She opened her email and scrolled back through the last five years of correspondence with her mother. Subject lines: "Property tax bill," "Doctor appointment rescheduled," "Can you call the plumber," "Medicare question."
​
No warmth. No check-ins. Just tasks.
​
Sarah put the phone down and reached for the next letter in the folder. It was dated six months ago.
​
Dear Mrs. Peterson,
​
I wanted to write and tell you about something funny that happened. My daughter was cleaning out old boxes and found the math notebook you helped me with in eighth grade—you remember, the one where you wrote all those encouraging notes in the margins? She said, "Mom, who's Mrs. Peterson? She sounds like she really believed in you." And I said, "She did. She still does."
​
I've been thinking about that a lot lately. How rare it is to have someone in your life who believes in you for no reason except that they see you. Not because they have to, not because you've earned it, but because they looked at you and decided you were worth their time.
​
I know I've said this before, but I'll say it again: you saved me. If I hadn't had you, I don't know what would have happened. Probably nothing good. You gave me a place to be safe and a version of myself I could grow into. That's not a small thing. That's everything.
​
I hope you're doing well. I worry about you more these days. You sounded tired on the phone last week. Please let me know if there's anything I can do. You've spent so much of your life taking care of other people. Let someone take care of you.
​
All my love,
Lisa
​
Sarah closed the folder. She turned off the light. She lay in the dark in her childhood bed and looked at the ceiling.
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She was thirty-two and it was the hospital and the baby was gone and she'd called her mother from the pay phone in the hallway because her cell phone was dead and she didn't want to go back into the room where the silence was.
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"Mom," she'd said, and her voice had broken on the word.
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"What happened?"
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"I lost the baby."
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"Oh." A pause. "These things happen, Sarah. You're young. There'll be others."
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"I don't think—"
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"You'll be fine. You're strong. You've always been strong."
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"I don't feel strong."
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"Well. You are. I have to go—I'm meeting someone for lunch. Call me later if you need anything."
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Sarah had hung up. She'd stood in the hallway for a long time. Then she'd gone back into the room and told her husband she was fine, because that's what she'd been told to be.
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These things happen, her mother had said on the phone from the hospital. Sarah had been thirty-two and had not known that some people were allowed to grieve what didn't survive.
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There were no other babies. The marriage lasted three more years.
​
---
​
Sarah opened her eyes. The room was dark. She'd been lying there for an hour, maybe more.
She got out of bed and went downstairs in bare feet. She found her laptop in her bag and brought it back to the bedroom. She opened it and typed "Lisa Morrison" into the search bar.
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She set the letter down and picked up her laptop. She opened it and typed “Lisa Morrison” into the search bar.
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LinkedIn. Facebook. A few hits that might be her.
​
Sarah clicked on the Facebook profile. Private, but the profile picture was visible. A woman in her late forties, smiling, standing next to a teenage girl who had her chin.
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She typed, Hi, this is Sarah, watched the words blink, and erased them. Then she closed the laptop and got back into bed.
​
She picked up the folder and read until she’d finished every letter.
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By the time she was done, it was after midnight, and she understood that her mother had lived an entire second life in these pages—a life where she was warm and present and generous and everything Sarah had needed her to be.
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And she’d given it all to someone else.
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Sarah woke to the sound of a car in the driveway. Six-thirty. She’d slept three hours.
​
She got out of bed and looked out the window. A sedan—Meadowbrook’s logo on the door. Her mother in the passenger seat, talking to the driver. Animated. More animated than Sarah had seen her in months.
​
Sarah went downstairs and opened the front door as her mother was coming up the walk. The driver waved and pulled away.
​
“You’re early,” Sarah said.
​
“They let me go after breakfast. I passed.” Her mother smiled—brief, satisfied. “Memory’s fine. Just normal ageing, they said.”
​
Sarah stepped aside to let her in. Her mother looked around at the half-packed living room, the labelled boxes, the gaps on the walls.
​
“You’ve been busy.”
​
“That’s what I’m here for.”
​
Her mother set her purse on the entry table and walked through to the kitchen. Sarah followed. Her mother opened the refrigerator, frowned at its emptiness, closed it again.
​
“Did you find the blue folder?”
​
“Not yet. I’ve been working through the downstairs.”
​
“I need it before we go.” Her mother’s voice was tight now, focused. “It should be in my desk. I’m sure I saw it there.”
​
“I checked the desk. It wasn’t there.”
​
“Then I must have packed it already.” Her mother turned, scanning the boxes stacked along the wall.
“Which box has the desk things?”
​
“I haven’t packed the desk yet.”
​
Her mother’s face shifted—confusion, then something sharper. “But you said you checked it.”
​
“I looked in the drawers. I didn’t pack them yet.”
​
“Then check again. It has to be there.”
​
Sarah went back to the living room. Her mother followed. Sarah opened the desk drawers one by one, making a show of the search. Her mother stood behind her, watching.
​
“Not here,” Sarah said.
​
“Then I did pack it. I must have.” Her mother moved to the nearest box and opened it. Books. She closed it and opened another. Kitchen items—dish towels, trivets, the things Sarah had cleared first.
​
“Mom, I don’t think—”
​
“Help me look.”
​
By noon, they’d unpacked eight boxes. The house had been emptied and then filled again, like a promise taken back.
​
Her mother moved through the rooms with a determination Sarah recognised from her own work—the refusal to stop until the problem was solved. But her mother’s focus kept slipping. She’d open a box, look inside, forget what she was looking for, then remember and start again.
​
“What’s in the folder?” Sarah asked. They were in the living room, surrounded by opened boxes, contents spread across the floor.
​
“Correspondence.”
​
“With who?”
​
Her mother didn’t look up. “An old student. Just letters. It’s personal.”
​
“If you tell me more about it, maybe I can—”
​
“It’s a folder, Sarah. With metal clasps. It’s not complicated.” Her mother’s voice was sharp now, frayed at the edges. “I need it. I thought you’d be more helpful.”
​
Sarah felt something cold settle in her chest. “I’m trying to help.”
​
“Then find it.”
​
They kept searching. Sarah opened boxes she’d packed yesterday, her neat labels now meaningless. Her mother pulled things out faster than Sarah could repack them—photo albums, old tax documents, her father’s books that still smelled like his office fifteen years later.
​
At one point her mother found a photo album from Sarah’s childhood. She paused, opened it, flipped through without comment. Sarah watched her turn past Sarah’s school photos, Sarah’s birthday parties, Sarah at eight, ten, twelve, looking at the camera with the careful smile of a child who’d learned not to expect much.
​
Her mother closed the album and set it aside. “Not in here.”
​
By evening, they’d made it worse. The living room looked like it had been ransacked. Her mother sat on the couch, exhausted, staring at the chaos.
​
“I know I packed it,” she said quietly. “I remember packing it.”
​
Sarah said nothing. She began repacking boxes, trying to restore some order. Her mother watched without helping.
​
“There’s leftover Chinese in the fridge,” Sarah said. “From last night. I can heat it up.”
​
“I’m not hungry.”
​
“You should eat something.”
​
“I said I’m not hungry.”
​
Sarah went to the kitchen anyway and heated the food. She brought two plates to the table. Her mother came in after a moment and sat down without comment. They ate in silence.
​
Sarah watched her mother push fried rice around the plate. Seventy-three years old. Sharp jaw, careful posture, the way she held her fork that Sarah had tried to imitate as a child and never quite matched. Still elegant. Still distant.
​
“Do you ever hear from Lisa Morrison anymore?” Sarah asked.
​
Her mother looked up. “Who?”
​
“Lisa Morrison. My friend from school.”
​
Her mother’s face showed nothing—not the careful nothing of a lie, but the easy nothing of a truth so small it didn’t register. “Oh. Yes. I think so. She sent a Christmas card a few years ago, maybe. Why?”
“No reason. Just thought of her today.”
​
Her mother returned to her plate. “How is work?”
​
“Busy.”
​
“You’re still at the same firm?”
​
“Fifteen years now.”
​
“That’s good. Stability.” Her mother took a sip of water. “You were always so capable. Even as a child. Never needed much help.”
​
Sarah set her fork down. “I needed help.”
​
“What?”
​
“Nothing.” Sarah picked up her fork again. “Never mind.”
​
They finished eating. Sarah cleared the plates. Her mother went upstairs, citing exhaustion from the evaluation. Sarah heard the bedroom door close, then water running in the bathroom, then quiet.
​
Sarah stood at the sink and looked out at the backyard. The burn pile was still there—a circle of stones her father had made thirty years ago for autumn leaves. They’d never used it much after he died. Too much work, her mother had said.
​
Sarah went upstairs and got the blue folder from her nightstand. She stood in the hallway holding it, looking at her mother’s closed door.
​
She could knock. She could hand it over. She could say she’d found it in the desk after all, must have missed it the first time.
​
She went back to her room and set the folder on the bed. Then she changed into jeans and a sweatshirt and went back downstairs.
​
She found matches in the kitchen drawer where they’d always been kept. She took the blue folder outside.
​
The night was cold and clear. Stars visible, no moon yet. The burn pile was exactly where it had been—stones in a circle, ash from years ago still visible in the centre, undisturbed.
​
Sarah opened the folder and took out the first letter. 1989. Lisa’s careful handwriting. Dear Mrs. Peterson, Thank you for helping me with my math homework.
​
She struck a match and held it to the corner of the paper.
​
The letters burned blue at the edges before they burned at all, and Sarah watched each one as if she could read them backward into ash.
​
She burned what her mother could not remember and what she could not forget.
​
She burned them methodically. One letter, then the next. Thirty years of correspondence reduced to smoke and ember. The paper curled and blackened. The ink disappeared last, fighting to stay visible until the heat took it.
​
She stood there until the folder was empty and the fire had died to coals. Then she went inside, washed her hands in the kitchen sink, and went upstairs to bed.
​
She didn’t sleep.
​
Sarah woke to daylight and the smell of smoke.
​
She went downstairs and found her mother standing at the kitchen window, looking out at the backyard. Still in her nightgown. Hair uncombed.
​
“Something’s burning,” her mother said.
​
Sarah came to stand beside her. The burn pile was visible from the window—cold now, just ash and the faint residue of smoke clinging to the morning air.
​
“The burn pile,” Sarah said. “From last night. I burned some old papers.”
​
Her mother turned to look at her. “What papers?”
​
“Just things that needed clearing. Junk mail. Old documents.”
​
Her mother’s face was unreadable. She looked back out the window, then down at her hands as if checking for something.
​
“Did you find the folder?” her mother asked.
​
“No.”
​
“We have to keep looking.”
​
“We’ve looked everywhere.”
​
“Then we haven’t looked carefully enough.” Her mother’s voice was rising now, fraying. “It’s here. I know it’s here.”​
They spent the morning searching again. Her mother pulled out drawers that had already been emptied, opened boxes that had already been opened. Sarah followed behind, trying to contain the damage, but it was pointless. The house was chaos. Three days of work undone.
​
At one point her mother stood in the middle of the living room, surrounded by scattered belongings, and said quietly, “I can’t leave without it.”
​
“Mom, we have to go. The apartment is ready. The movers are coming tomorrow.”
​
“I don’t care about the apartment.” Her mother’s hands were shaking. “I need that folder. It’s important. It’s—” She stopped, searching for the word. “It’s mine.”
​
Sarah felt something crack in her chest. Not guilt yet. Just recognition. Her mother was losing her mind, and the one thing she was desperately trying to hold onto was the evidence of a relationship with someone who wasn’t her daughter.
​
“Maybe you moved it years ago,” Sarah said. “Maybe it’s already gone.”
​
“It’s not gone. I had it. I remember having it.”
​
“When?”
​
Her mother looked at her, confused. “Recently. I don’t—I can’t remember exactly. But recently.”
​
Sarah watched her mother try to hold the timeline in her mind and fail. Watched her get frustrated. Watched her hands move to her temples as if she could press the memory back into place.
​
“We should go,” Sarah said. “We can keep looking after you’re settled.”
​
“No.” Her mother’s voice was firm, almost fierce. “I won’t go without it.”
​
But by two o’clock, exhausted and defeated, her mother sat on the couch and didn’t get up again. Sarah began carrying boxes to the car. Small ones first. The essentials—clothes, toiletries, medications, the few things her mother would need in the first week.
​
Her mother watched from the couch, not helping, not protesting.
​
Sarah made six trips. On the seventh, she came back inside and found her mother crying—quiet, restrained, the way she’d taught Sarah to cry as a child. Tears but no sound.
​
“Mom.”
​
“I’ve lost it.” Her mother’s voice was small. “I can’t find it and I’ve lost it.”
​
Sarah sat down beside her. She could say it now. She could tell her mother the truth—I found it, I read it, I burned it because you gave to Lisa Morrison everything you should have given to me. She could make her mother understand, finally, what she’d done.
​
But her mother had already forgotten the woodsmoke. Had already forgotten the search from ten minutes ago. Would forget this conversation before they reached the facility.
​
Sarah said nothing. She sat beside her mother until the crying stopped, then she helped her upstairs to get dressed.
​
They loaded the car in silence. The trunk full, the back seat stacked with boxes. Her mother sat in the passenger seat while Sarah did a final walk-through of the house—checking that the stove was off, the windows locked, the heat turned down.
​
She stood in the living room one last time. The house looked ransacked, abandoned, like something had been taken that couldn’t be replaced.
​
She locked the front door and got in the car.
​
The drive to Meadowbrook was twenty minutes. Her mother stared out the window. Fields, then subdivisions, then the landscaped entrance to the facility with its discreet signage and brick columns.
“Did you find the folder?” her mother asked.
​
Sarah rubbed at a faint blue smudge on her thumb that wouldn’t come off. “No, Mom. I didn’t find it.”
​
“Oh.” Her mother looked out the window again. “I thought I’d packed it.”
​
They pulled into the parking lot. A woman in scrubs was waiting at the entrance, clipboard in hand. Sarah parked and turned off the engine.
​
“Did we bring the folder?” her mother asked.
​
“No.”
​
“I need it.”
​
“I know.”
​
Her mother looked at her—direct eye contact, the way she used to look when Sarah was a child and had done something disappointing. “You didn’t look hard enough.”
​
The sentence found its old hook in her and hung there.
​
“I looked,” Sarah said.
​
They sat in the car. The woman in scrubs was walking toward them now, smiling, clipboard ready.
Her mother asked about the folder again, and Sarah lied again, and understood this was how they would finish—her mother asking, Sarah capable of answering.
​
Sarah helped her mother into the building. Signed the papers. Walked her to the apartment—one bedroom, kitchenette, bathroom with grab bars and an emergency pull cord. The boxes would be delivered tomorrow. For now, just a bed and a chair and a TV that was already playing the news.
“I’ll come back tomorrow,” Sarah said. “With the rest of your things.”
​
Her mother was sitting in the chair, looking around the small room. “Did you bring the folder?”
​
“No, Mom.”
​
“Oh.” A pause. “Will you look for it?”
​
“Yes.”
​
“It’s important.”
​
“I know.”
​
Sarah left before her mother could ask again. She drove back to the house and stood in the driveway, looking at the ransacked interior visible through the windows. She’d have to come back tomorrow. Clean up. Repack. Finish what she’d started.
​
She got back in the car and drove to her hotel. She’d shower, eat something, sleep in a bed that didn’t smell like her childhood.
​
Tomorrow she’d return to the house. Tomorrow she’d sort through the evidence of her mother’s life and decide what was worth keeping and what could be thrown away.
​
Tomorrow. Not tonight.
​
Tonight she would lie in a hotel bed and not think about the letters burning blue at the edges. Not think about her mother’s face when she realised the folder was gone. Not think about the thirty years of warmth her mother had given to someone else while Sarah learned to be fine without it.
​
Tonight she would do what she’d always done.
​
She would be capable.
​​
​
By Jeffrey-Michael Kane
With a background in law and public policy, Kane has spent decades quietly solving complex problems—designing order where others saw only chaos. He is the author of Quiet Brilliance: What Employers Miss About Neurodivergent Talent and How to See It, a celebrated nonfiction work on cognitive patterning and inclusion in the workplace. He writes with his learned experience as an ASD-Level 1. He lives in New Orleans with his wife and sons, in a house filled with paintings, dogs, and stories that unfold slowly.
Rumination
​​​
My cat, Augustus, has a unique way of waking me up in the punishingly wee hours of the morning. He silently creeps to whichever side of the bed my head might be facing, pauses a millimeter away, then sweeps his sandpaper tongue across my eyebrow. When my eyelids rise, as they always do, I find myself upsettingly face to face with the resolute feline.
Just because it is often voiced makes it no less true. Cats are unwavering. They can outstare and outlast the most resolute human. Once committed to a specific outcome, they will not yield until the desired end is achieved. In the particular instance that spurred the remembrance I'm soon to recount, Augustus's goal was Purina Pro Plan Complete Essentials. A vet once told me that where cats are concerned, wet food is steak, but dry food is donuts. And who among us, cat or human, can resist the latter.
If you are at all like me, when you're awakened predawn, you are exceedingly hesitant to rise. Longing for more restful slumber, you try your best to return to the dream you were having or the peaceful coma that had previously engulfed you. The mind however, seldom complies. Once consciousness is switched on, it rarely turns itself off automatically. It seeks footholds, most often in the past, and returns you to times and places and people that may have been dormant for decades, but in reality, have never really left your random access memory. So it was on the night in question, when Augustus licked me awake, and I couldn't go back to sleep because I couldn't stop thinking about another night some sixty plus years ago.
***
​
It was long before cell phones, personal computers, social media...even microwave ovens...had become ubiquitous. JFK had been assassinated. Man had walked in space. Something called the Berlin Wall had gone up. But in my small Texas town, hearts and minds of seventeen, eighteen, and nineteen-year-old males—when not consumed with sexual fantasies—were mostly occupied with an impending high school graduation, the need for a summer job, and of course, stretching the limits of foolhardiness. All of us, at one time or another in life, do stupid things. Many, when we are young and responsible for nothing other than ourselves. Such times are replete with activities both asinine and unforgettable. As is the one I'm about to divulge.
Ding, Grif, James and I were looking for something to do. Ding had straw colored hair, black horn-rimmed glasses and played the Coronet like he was born to it. Grif was shorter than most, friendlier than many, and stout as a fireplug. James was lean, occasionally mean, and certainly the bravest as well as the toughest of the bunch. I was about as average as average can get. I did have one skill however that definitely accrued to my benefit. I could repeatedly sink twenty-five foot jump shots like a metal pellet clipping flippers in a pin ball machine.
We had just come out of the Rialto after watching the main feature, Paul Newman in Hud. The poster had definitely sucked us in. It read, Paul Newman is Hud, and featured the handsome stud in a menacingly defiant stance, one hand on his hip and the other by his side with a cigarette dangling between two fingers. Even though the movie exposed his selfish behavior and inherent loneliness masquerading as self-bravado, we all wanted to be Hud. The tough, cool guy who drove around in a Caddy convertible, drank beer, and got whatever woman he wanted. Well, except for Patricia Neal, but at our age, she was too old to want anyway.
That evening we had some of what it took to indulge our fantasies. James had borrowed his big brother's Lincoln. It was a hardtop convertible whose automatic roof folded up, deposited itself in the trunk, and closed its own lid. He had also appropriated his older sibling's driver's license. With less than a two year age difference, the brothers looked pretty similar. Enough so that James could use the ID to buy beer from the old guy with glaucoma at the package store.
It was a particularly grand Spring night. Stars dotted the sky and a big yellow moon shone in the overhead blackness like the Lord's thumbprint. After securing four sixpacks of Lone Star, we headed for the outskirts of town, avoiding the main highway so we could imbibe as we cruised. On one of those farm-to-market, unpaved roads, and after one and a half longnecks, James pulled the car to a stop. He was behind the wheel. I was riding shotgun. Ding and Grif were in the back seat.
"Got an idea," he said. "This is gonna be fun."
With that, he put the car in Park, the bottle between his teeth, and pushed himself up until his ass was sitting on the back of the seat and his boots were positioned at 3 o'clock and 9 o'clock on the steering wheel.
Removing the bottle from his mouth and taking a swig, he said to me, "Scoot over here, and use your left foot on the accelerator."
Tossing my empty into the ditch beside the car, I unwisely did as he instructed.
"Okay, man. Let's go."
We took off, slowly at first, but the farther we went the more he kept saying, "More gas, dude. More gas!"
Before long, we were speeding down the dirt road yelling, laughing, drinking, and kicking up a rooster tail of dust behind us as James maneuvered the Detroit iron with his wellworn Justin Ropers. At the time, it didn't occur to any of us that should we need to stop in a hurry, a quick move of my foot from the accelerator to the brake would likely toss James over the windshield, onto the hood, and under the wheels of our vehicle or one coming our way. Such is the intelligence degrading capacity of cold beer and excess testosterone.
Apparently, God had a soft spot at that time for the idiotic behavior of wild ass Texas youth. We eventually came to a stop without damage to ourselves, the car, or the remaining two cases of Lone Star. But the night was young.
Oil fields have a series of gravel paths that lead from one well to the next, one line shack to another, or one or two exits to the main road. After our aforementioned acrobatic drive, we decided (for reasons that still escape me) to traverse a number of them. In those days there was still the occasional wooden derrick among the steel girder replacements and the confluence of metal rocking horses that pumped round the clock. Anachronistic to be sure, but in the eyes of well-oiled teenagers, these symbols of a fabled past deserved to be celebrated. I don't recall exactly which one of us came up with the idea of climbing one, but I do recall the suggestion was met with unanimous approval.
It was agreed that James and I would go first, each of us cradling a remaining six-pack under one arm as we clawed from one rung to the next with our free appendage. Grif and Ding would follow and be responsible for catching any beers that might slip our vice-like grips and fall prey to unapologetic gravity. Of course, it never crossed our minds that we, rather than our liquid bravery, might take the ultimate tumble. That sort of logical appraisal of potential pitfalls had long since been adequately drowned.
Against all odds, each of us reached the top safely. We took seats on the railing rimming the rig and proceeded to begin consumption of the remaining Lone Stars. Our celebration was enhanced exponentially when Grif revealed that he had buttoned a family-size bag of Fritos under his shirt, which we could now all share. It wasn't long before someone suggested that a song might be in order.
"But is there a song where we all know the lyrics," Ding asked.
"The Star Spangled Banner," James answered.
"Patriotic," I said. "But the high notes are a bitch."
"Nearer My God To Thee," Grif suggested.
"I'm an atheist," Ding remarked. Though none of us believed him.
All of a sudden it hit me. And I realized what would immediately bind us all together. I didn't even have to say its name. I just started singing.
"The stars at night are big and bright."
Drunkenly discordant, all piped in, "Deep in the heart of Texas."
We got through two or three verses before insanely cackling at our woeful performance, then slowly but surely slipping into silent reflection. In my experience, it is impossible to drink beer and eat highly salted corn chips forty feet above the ground without feeling the need to explore the meaning of life. So we did. With each of us contemplating just how long it might be before we ever had another night together such as this one. The question was hard to answer. As it dealt with facts that often intrude upon alcohol-fueled philosophical conjecture. Ding had won a music scholarship and would soon be leaving to become part of the famed Texas Tech Goin' Band From Raiderland. Grif would be starting work next week in his dad's food and grain store and marrying Louise, whom he had recently, but accidentally, impregnated. I would be headed for a partial basketball scholarship at a Junior College in East Texas. While James, with a draft number below one hundred, and without either a student or dependent deferment, was basically looking at a stop in Fort Polk Louisiana for training and a subsequent ticket to Viet Nam.
When the last Lone Star was passed round and tossed over the rail to crash noisily among those that had preceded it, all felt that some sort of referential denouement was needed. Ding, who always carried his Coronet's mouthpiece in his pocket, whether he had his Coronet or not, suggested he might play something appropriate. "Agreed," the rest of us echoed.
He blew Taps.
​
***
​
As I mentioned earlier, it has been approximately sixty-two years since I thought of that particular night. And even longer since I've seen those involved. But I heard about them occasionally, from old friends, Facebook, LinkedIn, X and the like. Grif never left our tiny municipality, but his family blossomed and helped the town grow. Ding became a teacher of music as well as a performer of it. James came home from Saigon in a flag-draped coffin. I landed a job that grew into a career and took me all around the world on other people's money. But now, like so many others who have traveled far, I've returned to Texas and expect to be here for the duration, and whatever lies beyond it.
***
​
My cat, Augustus, licked my eyebrow, woke me up, and I couldn't go back to sleep.
​
​
By Joe Kilgore
Joe Kilgore is a multi-award-winning author of novels, novellas, screenplays, and short stories. He lives and writes in Austin, Texas.
​
Visit Joe's website: https://joekilgore.com/
X: JoeKilgore13
Facebook: joe.kilgore.98
A City Called Z
​​​​
Rinne and I were hunkered together in the relative dark of the living room. Our knees were washed up in the television’s bluish glow, almost touching but not quite.
More bad news on CNN. Loads of masked doctors stood under the shadows of ER awnings, gesturing emphatically with their hands. Gruesome, aerial shots of body bags pumping out the back of Bellevue like a colony of ants. And those unending zoom interviews with various commentators: videos recorded on home laptops with cramped, too-tight camera angles, showcasing each academic’s unique set of facial blemishes, their framed degrees adorning the walls of their private studies.
“He could at least have worn a tie,” Rinne said, nodding at tonight’s speaker. Then she looked at me. I didn’t smile. Sometimes I just didn’t have it in me to smile at Rinne, not anymore. Although she did have a point. Despite the realities of lockdown reporting, we should have expected more from them. And from ourselves. We didn’t need to lean into the isolation or take to wearing mustard-stained gym shirts on TV. It made our experts look amateurish, and turned the rest of us into voyeurs, like we were peeping at these people through their garden windows.
Not like I couldn’t relate. The whole world was worn out; Rinne and I especially. But insomnia and decision-fatigue had been haranguing medical trainees for centuries, long before the average American knew anything about wet markets, or Wuhan. We were in different specialties – Rinne was in her first year of a critical care fellowship, I was training to be an orthopedic surgeon - but some things are universal. Stress, like gravity, tethers people to the earth with equal force in China as it does here in Michigan.
And there were other things tethering us, too. Even if we hadn’t caught the virus yet, Rinne and I were certainly infected with something. Call it silence, or distance. Distrust. Whatever it was, it was alive. It had an energy. And because I had nowhere else to put this thing, it just sat there like an insect, molting in my abdomen, preventing me from doing much of anything. My next rotation was supposed to be on the Hand Surgery service, but because our hospital had temporarily cancelled all non-emergent procedures, my workload - and my OR time - had been stripped out from under me. All those carpel tunnel cases had simply evaporated. The hospital was making its position plain. In a pandemic, I was needed less; Rinne was needed more.
It’s hard not to compare yourself to your partner when you’re in the same field. It comes with the territory. Especially if the real root of your problems is something else entirely, something neither of you can talk about. Which, in our case, was that Rinne was fucking somebody else.
But if Rinne refused to bring it up, then I sure as hell wouldn’t.
***
My eyes stayed on the TV. By now, we’d both gotten used to these talking heads every night, along with the death tracker hanging in the corner. Mostly Rinne and I registered the body count subconsciously, like a patient’s blood pressure dipping across a monitor, absorbing the bad news without discussion. Tonight, though, it seemed to me the only thing worth discussing.
“You’re not listening to me, Noah,” Rinne said. “You never listen. And you’re angry about something.”
“I’m not angry.”
“You are.”
“I’m just watching this.” “Exactly!” she said. She sometimes weaponized her good hand during an argument, as she did now. Her hand thinned into a blade and the blade slashed down. “You see? Right now. You’re doing it right now.” Slash.
I turned to her. “Nearly fifty-thousand dead, Rinne.”
For a moment her face turned, distracted, her body glowing in the blue. The ticker changed every few minutes. Two deaths. Pause. Five more. She shook her head, her still-wet curls leaving damp little tracks against her shirt.
“But we know all of this already,” she said. “We’re the ones signing those death certificates.” Rinne looked away and scratched her cheek. The stump of her other arm lay in her lap, buried, as it often was, in the cradle of her knees.
Despite being together for three years, and despite whatever issues we were slogging through now, only once had we talked of her accident. Rinne wasn’t like me. She’d grown up in Wisconsin, on an actual farm, and from what I gathered had been given entirely too much independence around too much farm equipment. I knew nothing about farming, or Wisconsin. To me, her story may as well have been the horror version of a Rockwell painting. Imagine: the rest of her family at the dinner table, surrounding what was probably a large fowl, sunlight gliding solemnly through the windows. And then, from the barn that no adult had bothered to lock, a noise. A scream?
Rinne told me her hand got snatched away in a thresher. It must have been awful. A child’s sharp cries piercing the barn’s canopy; blood misting the bone-dry hay. That sort of thing. I never pitied her – she would have detested me for it. But I have wondered: how does that affect a person, to give up a piece of yourself, an actual limb, before you’d even learnt its value?
In my better moments, I’d often tried to empathize with her, to imagine that frantic ride to the hospital: all six of her siblings piled on top of each other in the van, fretting together, breathing in each other’s faces as they rocketed down those winding, lightless county highways. And then, after she woke up from surgery and found her hand gone, her fingers replaced by air, how it must have felt to have six other sets of hands, twelve concerned eyes, all trained on her, ready to hold her up in the places she couldn’t.
For a kid like me, who’d grown up in Connecticut as an only child, with a chronically depressed mother and perpetually traveling father, I would have withered under that type of scrutiny. And though I loved the OR – the elegance of the surgical field, cordoned off by blue little drapes – I still abhorred being touched. Handshakes were okay. But a sudden, unprovoked hand on the shoulder? No. My body seemed wired for the fast twitch escape.
“It’s called haphephobia,” a therapist once told me. I remember how her pencil clicked against her notepad. “Fear of human touch.”
“I know,” I said. I’d come across the term a few times, mostly during those desperate, late-night google searches. My searching usually got triggered by something. Like that time when the grocer reached for my twenty and grabbed my hand instead, and then I spent the next few hours in the bathroom scrubbing my fingers into nubs.
The therapist smiled. And then she asked me the usual. What did touch really mean to me? When did it first become a threat? When, in my life, did I first feel unsafe?
“But I do feel safe.”
​
She’d arched an eyebrow over the rim of her glasses. “Do you?”
After the hour was up, I left the office and knew I wouldn’t be going back. Not that I didn’t want to; it’s just that the question felt impossible. Because I wasn’t abused or anything. Nothing so traumatic, nothing so big that you could point a finger at and say “there, the root of all evil”. But when you’re a kid, and you’re mostly left alone in a large, empty house, habits build at a slant. Say your father’s been gone during those long summer months on some corporate real-estate venture – Dallas or Oklahoma or Dubai – and your mother’s in her bed, shades drawn against the noonday sun, eyes closed with a leak of spittle draining down her neck. What do you do?
You sit in front of the TV, that’s what. You watch movies long into the night. Your ear tunes itself like an overbent antenna, scanning the airwaves for contact. But this only works until it doesn’t. I remembered the lonely terror of all those zombie flicks, for instance, where some beautiful actress gets herself trapped in a woodshed, and before you know it a bunch of corpses come crashing through the slats, their rotting limbs reaching, reaching, reaching.
But the movie always ends, doesn’t it? The horror goes away. But then you’re just alone again. And sometimes, being alone is worse.
***
The next morning, I got up early.
We kept the treadmill in the small den. The rent posting had claimed the space as a second bedroom, though, at best, it was little more than a very sunny closet. We’d always kept the runner tucked up against the far wall to keep the window unobstructed. Which was pretty in the mornings, when pre-dawn light flooded across the carpet and splashed against the stacks of textbooks lying in the corner.
I did six miles. Not bad.
By the time I emerged from the bathroom, the endorphin rush had settled into a mellow high. Steam rose around the silence. I wrapped myself in a towel and went to the kitchen, thinking I might make us an egg bake. Which was not something I previously would have had any inclination to do. Not when things had been easy between us, anyway, back when Rinne and I were riding on momentum alone. But today the birds were chirping outside the window, we had a fully stocked fridge, and the air was pleasantly cool on my face as I poked around the bell peppers.
But by the time I closed the fridge and went back to the bedroom, dripping water across the floorboards, Rinne was already gone. The sheets lay ruffled in a messy, sunlit pile at the foot of the bed.
A note on a sticky pad by the door: Had to pre-round on my patients. I’m on call until nine. Don’t wait up.
***
When I’d first told Rinne about my phobia on our third or fourth date, she’d laughed it off. And I remember sitting there at the Olive Garden, feeling a slippery type of nervousness. Maybe a little incredulous. Because it wasn’t a small thing to recoil from affection. Relationships had been nuked over less.
“Really?” she said. “Touching? Is that why you haven’t made a move yet?” Then she reached for my hand and saw how I pulled back, how the blood rushed my cheeks after.
“Sorry,” she said, drawing back her hand, then waving it away. I slunk back in my seat. A waiter passed by balancing an unnecessary quantity of breadsticks on his saucer.
In the corner of the restaurant, by the fake, old-timey oven, a kid was looking at me. It wasn’t hard to tell. She was with her parents and must have seen me blushing. I avoided eye contact. But Rinne must have seen me looking because she followed my gaze. And when she spotted the little girl – her hair in pigtails, hands folded quietly in her lap – Rinne stuck out her tongue. And then the little girl stuck out her tongue, and Rinne just laughed. The girl smiled back.
Rinne turned back to me, buoyed somehow. And I remember how her laugh steamrolled any doubt. She leaned towards me and held up the stump of her arm, the zippered surgical scar puckering against the candlelight. “Well, I think we’ll be fine. I’m only half the toucher I used to be.” And then she laughed again in that carefree way she had, with her mouth wide open, and a soggy piece of bread curled near the back pocket of her throat. She’d nearly spilled her wine.
That was another difference. Whenever Rinne was crass, she was crass on purpose.
***
That day I saw five patients before noon, all of us wearing masks.
Henry Ford Hospital had been one of the last places to switch their outpatient visits from in-person to Telehealth. Consequently, there I was in the parking lot of the outpatient building, staring at my reflection in my rearview, praying to God that, on my last day, nobody coughed in my direction.
Across the block, rising from behind a cluster of maple trees swaying in a silent, invisible wind, the main hospital loomed upwards. Somewhere inside, Rinne was taking care of sick people.
For a while I sat there and let the motor run. Mornings had now become a sort of lost zone for me. Rinne said her schedule was picking up speed as she ascended from the doldrums of residency into the only-nominally-better doldrums of fellowship. But the increase in responsibility was real, she insisted. Sometimes she couldn’t leave the hospital at all, not even to sleep, so she’d taken to showering in the women’s lockers on the fourth floor, living out of a suitcase in the fellows’ call room like an orphan.
My only problem was with how thin she’d stretched this excuse, how the length of her absences grew as the months went on. Sometimes they lasted three, maybe four days, blank spaces of separation bracketed by absolutely nothing. And each morning I felt her absence in my body. A roiling water mark rising behind some dam in my chest, held in the sort of anxious silence you sometimes feel when you wake up too late, with the sun too high, and too many things still undone.
But how does anybody know when they’re being lied to? You think, of course, your intuition would pick something up. But maybe it doesn’t. At least not until you see the lie itself, when you’re standing six floors up, just blowing time between consults and gazing down into the parking lot.
And then suddenly there she is, in somebody else’s car. Entangled. And at first you don’t even see her face, but the curly hair is the same, and the two of them are pitched back against the passenger window, kissing. And when she opens her belly to him like a puppy – him: someone older, wide-shouldered, balding at the temples – you see that yes, there it is, that arm you know so well now drifting up against the window.
It’s Rinne’s arm. You’d know it anywhere. It’s an arm without a hand.
***
Of the six post-op patients I saw that day – two hips, a torn rotator cuff, three knee revisions – Mr. Peregrine was the only regrettable case. I could see that from the door. He’d already had two knee replacements – the last one performed in December, by me – and now he waddled himself to the chair, wincing in pain. He sat down and I pulled his pant leg up. The knee was swollen like a grapefruit, the skin hot and erythematous, blanching when I touched it. My tongue clicked against my teeth.
“Can you bend it?” I asked.
He tried, shook his head. Then I tried to bend it for him, and he almost cried with the effort.
“Stop!” he said. The dome of his scalp was bathed in sweat.
“Sorry.” I gazed at his forehead, nearly the same shade of red. “This may be infected.”
“Again?” Something collapsed in his face. His jowls sagged, and for a moment I felt almost tender towards him. Back in December, he’d looked just like this, had come waddling into the ER as septic as he appeared now. At the time, though, the knee was even larger, the skin puckered and thickened, with tracks of inflamed lymph channels lacing up his thigh. He’d nearly lost the leg to staph.
Luckily, we seemed to be catching this one a bit earlier. Maybe we’d avoid the ICU altogether. Still, the joint didn’t look good by any stretch. It had puckered like a soured fruit, like that time Rinne had left a melon in the back of the Honda for days, parked out there on the curb in the blazing sunlight and sweltering July heat, and even after we’d cleaned up the mess – the fruit soft and rotten, slopping through my fingers in red, acidic clumps – the seats still smelled of sour margarita for a month. Back then we’d laughed about it. She stood just off my shoulder as I worked, careful not to startle me. But still, I could feel her whisper on my neck when she said, “Wow, you must really love me”.
“How long has it been like this?” I asked Mr. Peregrine, trying to make my voice low.
He shrugged, breathed a long and heavy sigh, the folds of his shoulder pushing against his neck. “Three days,” he said.
I nodded. “I’m sorry,” I said. “Genuinely. But this thing is shot. You need to go to the ER. Have you had fever?”
“Wait,” he said. “You’re taking it out again?”
I nodded. “Maybe not me. But yeah, whoever’s on call today. Old hardware out. Wash the joint. Clean hardware in.” And then, for some reason, I shrugged. “It’s my last clinic day.”
He winced. His hand flattened on the seat’s edge, quivering and white. “Fuck,” he spat. “How many more times?”
I paused. “I’m sorry?”
“How many more times? That’s what I want to know.”
“I’m sorry, I don’t…”
“I want to know exactly how many more times a guy has to get his knee sawed open. I want to know how many more times before you fuck-ups do your job right.”
I sat back. My spine was now braced against the seat. It was one of the first times I’d wished I had not chosen medicine. In fact, at that moment I wished only to be somewhere else. Not at home, exactly. Not staring at the watermark on the ceiling, or at Rinne’s used coffee mugs, unwashed, in the sink. Not alone. Just…elsewhere.
No help was coming, though. Outside the door, the only sound heard was the squeak of shoes on linoleum. A nurse’s throaty laugh. Somebody having an infinitely better day.
How many more times? He’d asked the question as if I had an answer for him, as if I was God. This is the trouble with doctoring: you’re expected to always have the right response, the right solution, but only so long as it’s palatable. It was a point I’d often made to Rinne. Patients signed the consents, sure. But really, their minds were made up long before the signing. They either assumed everything would go according to plan, or that nothing would. And this zero-sum thinking was why some patients, the easy ones, followed your instructions to the letter. And why the other half thought we’d been harboring microchips in their vaccines.
I’d begun to wonder: where were all the pragmatists? The ones who labored for the middle ground. Where were the people who trudged back to an apartment every day that no longer felt like home, or who woke up in the right bed every morning, the bed they’d promised to sleep in, for no other reason than that’s where they said they’d be?
And now, here was Mr. Peregrine, judging me, sitting high on his throne with his round moon face. By now he was glistening with sweat. Glossy like a seal.
I sat forward. “Well,” I said. “Your diabetes certainly isn’t helping anything.”
“Excuse me?”
“You signed the form. You knew the risks. You’re not exactly the ideal candidate for a speedy recovery–”
“You little shit.”
“ –and maybe if you’d laid off the Burger King a few decades ago, you wouldn’t have gotten yourself into this position in the first place.”
His scalp was an angry violet by this point, and even the chair was shaking. His face leaned into mine; I could smell his breath through his mask. Raw onion. He had the look of a guy who wanted to hit something. But I wanted to hit something, too.
Finally, he breathed. His body sagged into itself, deflated. A worn-out balloon.
“Goddamnit,” he said. “Jesus Christ.” The lines on his forehead eased, and it was only then that I felt the small pang of guilt in my side. We were now both suspended in that sudden and immediate silence, that paradoxical sense of ease felt only after some line has been crossed. Like sunlight dispelling a storm.
“I’m sorry,” I said. But Mr. Peregrine would no longer talk to me. He just squeezed his eyes shut and shook his head.
“Right. Well.” I stood. “Sorry again.”
And then, “I’ll go call the ER.”
***
​
An hour after the transporter wheeled Mr. Peregrine away – his stubby head turning back for one last baleful glare – I found myself hiding on a bench down the hall from the administrative offices. Four empty Mars Bars wrappers lay crumpled at my side, my stomach churning against the sudden onslaught of sugar. After the argument I’d been worn out. Then I’d been ravenous. And now I just felt sick.
I was grateful for the low foot traffic. Here, at least, there were no nurses swishing about in their clogs and scrubs, hair pulled up, eyes angled forward. No medical students, either. They tended to congregate in the commissary after rounds anyway, huddled together for safety like a pack of zebras, their bags set up in a haphazard perimeter lest they be asked by their residents to do something useful.
For a while I’d worried that Mr. Peregrine would report me. It didn’t matter how. Both HR and the staff in the emergency room were equally liable to shift the complaint to my program director, which was bad. And, these days, fat-shaming a patient was very bad. But I reminded myself that it was, for better or worse, very difficult to fire a resident. We were cheap labor; they needed us now more than ever. That fact alone should have eased my nerves.
But my stomach wouldn’t loosen. Nausea churned through my gut in peristaltic waves. I craned my neck upward and stared at the chalky white ceiling tiles. I took a long breath as I scanned the exposed plumbing, unchanged since the fifties.
The clinic building had once been an automobile plant. Maybe, in some earlier time, the alcove had functioned as an open-corner office for middle management, a place where you could be both detached and involved, where you might hear the bounding machinery below, the men yelling, the churning of things. And yet, from up here, you’d still have some space to privately thumb through sales figures alone (probably in a cloud of cigarette smoke).
Now though, after the reconstruction, there was only the window. The parking lot was the only visible thing. Light poles dotted the grassed meridians, scattered like abandoned windmills.
The setting reminded me of a story I’d once heard about Detroit, how some billionaire had offered to buy a whole poverty-stricken section of the city. His goal, as I understood it, had been to transform blocks and blocks of dilapidated homes, clapboarded factories and pumpless gas stations into a horror-themed amusement park, a sort of year-round zombie land. Even then, I didn’t understand it. Why did people pay for terror? All those zombies from the movies suddenly made real, chasing after you in tattered clothes and professional-grade cosmetics. Grabbing at you for real. Z World, he’d wanted to call it. Detroit, he’d argued, was basically postapocalyptic already. Minimal renovations needed.
All of this was churning through my head – Mr. Peregrine, zombies, dead limbs - when far below I saw something strange. A squat man was walking alone, or maybe limping. He made his way across the sea of empty parking spaces. Moving slowly. Away from the hospital.
I stood and went closer. I watched the man push on against the wind, hunched with a catatonic gait, looking almost like a zombie himself. From this height he gave off the impression of an undead beetle.
Eventually, he paused by an isolated, rusted-out Buick, and rested his hand on the rainslicked roof. He turned and looked back at the building. His abdomen was pushing out in front of him, and steam rose from his huffing mouth. I had the rather uncomfortable sense that he could see me. Like he was uttering curses under his breath.
And now I could see that it was him. Mr. Peregrine.
I stood, suddenly dumbfounded. Where was he going? I had half a thought to yell something down to him, but of course he wouldn’t hear me. So, I just continued to watch, the nausea gripping me again as he slid into his car. The engine started, and then he was driving away, past the meridians, the uncut weeds, the fencing lining the perimeter. And despite being the only vehicle on the road, it didn’t take much time at all for me to lose him entirely. Mr. Peregrine’s red Buick simply puttered behind the bridge that bucked against the turnpike, growing smaller and smaller, until finally it drowned beneath the city’s hazy skyline.
***
I spent the next week in a jittery, paranoid state. I wasn’t feeling myself and the days dragged heavily, as if through some invisible sludge. The nausea worsened. I prescribed myself some Zofran and ate it like candy.
At first, I avoided my email completely, hoping to dodge any reprimand from HR, or whoever Mr. Peregrine would have reported me to. But the worry gnawed at my ribs. It was like that molting insect inside of me had grown wings, or teeth, or both. And beneath the gnawing there was the obvious question of why he had left. Was he lucid? Had the porter just shuttled him to the doors? Was he that stupid? More likely was that I’d simply pushed the wrong button on the wrong guy. That I was somehow responsible. And now he might die.
Sometimes, when I thought too much about him, the nausea would hit like a typhoon. I spent the occasional morning hawking bile against the linoleum. So, I stopped eating. Exercise seemed like an insurmountable barrier, and I’d begun to use the treadmill mainly to hang the wash. But I found it difficult to fold things up. Sweaters and joggers began to pile in a heap along the tread, burying the machine in a mountain of wrinkled clothing.
Rinne came and went, her presence as sporadic as rain.
Eventually, after a straight week of this, I checked my e-mail. And when I opened my inbox and scanned through the messages, I found nothing beside the usual hospital-wide notifications. Not a single email was addressed to me specifically. No termination notice, no big red letters warning of some ethics violation. No nothing.
One night, I accessed his chart remotely. There were no new notes. Nobody in the ER had even seen him. I gleaned his phone number from his face sheet and punched the numbers in. And then I just sat there, cross-legged in the darkness. I stared at my phone until the bleary numbers seemed to wobble.
I hit ‘call’, listened for the first ring. Then I hung up.
From the couch, with the news always on, I stalled for time by fiddling with an old research paper. I sent emails to my co-authors asking for their edits. Of the original six authors, I got one curt response.
Sorry, other things coming up. Backburner for now.
***
​
On the nights when Rinne did come home, she was often too exhausted to talk. She’d just strip out of her ICU scrubs right there on the doormat, our ad-hoc decontamination zone. I’d watch her shedding them from my perch in the living room, her body curling its way outward as if she was shedding a second skin. All while I sat there motionless, sporting days-old sweatpants like a deadbeat.
Then she’d shower, brush past my shoulder, and go to bed alone.
We were two weeks into this when something finally cracked. Rinne came limping into the house, as usual. But then she sat next to me without taking off her clothes. Her scrub-top grazed my arm. My first instinct was to shift away. But then I saw the far-away look on her face, and how the corners of her mouth started to quiver. Suddenly, she was crying.
“What?” I asked, sounding harsher than I’d wanted. But I let the question hang.
She just shook her head. “There’s just so many of them,” she said. Then she heaved a big breath out and rubbed her face with her good hand. “We’ve stacked some up in the hallway. They’re all dying. Most of them, anyway. This thing isn’t behaving like pneumonia.”
“How?”
“I don’t know. They just won’t come off the ventilator. We prone them. We give them the steroids for a few weeks. And then they just die.” That last word came up from her chest. As though it’d been sitting there like a mucous plug, begging to be coughed up.
“And the worst part,” she croaked, “is the way they die. With nobody around.”
“No family?”
She looked at me quizzically, her eyebrows curling. “No,” she said finally. “Families aren’t allowed. Contamination and everything. Haven’t you been checking your email? There was an announcement.”
I looked at all my drying socks, drooping like white flags against the treadmill. I thought of Mr. Peregrine. My paper. Backburner.
“Sometimes,” I said.
“Well, it’s fucked up,” she continued. “We set the family up on Facetime or something. Then we shove an iPad in the patient’s face when we pull the tube out. But it depends. Some families don’t even want that.”
“It sounds gruesome.”
“That’s because it is.”
I imagined Rinne standing vigil by some loved one’s deathbed, wearing a hazmat suit and holding a glowing screen. No family present. Not even me. Just Rinne and the rhythmic rise of a patient’s chest, and all those hissing ventilators, in that room and in a hundred other rooms, performing the work a person’s body couldn’t.
And it occurred to me, then, in that moment, how far away Rinne really was. Her face hung loose; the skin around her eyes was wrinkled like notched wood. It wasn’t the right time, I thought, to be honest about what I knew. Maybe it never would be.
Life was an onslaught.
“Why do you have that look?” she asked me suddenly.
I kept my hands in my lap.
“What look?”
“I don’t know,” she said. “Like you want to say something. But won’t.”
***
Rinne was gone and I was working in the den, forcing myself to shift the bundles of clothes off the treadmill and back into drawers. For days the nausea had been gone, but it had been replaced with this incessant, hacking cough that sometimes folded me over. My body felt sore and feverish. It hurt to walk. For nearly two hours I folded socks, crimping shirts off the line, trying to organize myself back into something approaching normalcy. I worked maniacally, packing drawers full of clothes until they groaned.
Then I got a text from Rinne.
Did you see some guy recently? Infected knee?? He’s in the ICU.
I stared at the read receipt. A muscle stiffened in my back. Who is it?? I texted back.
Which was unnecessary.
I knew who it was.
***
In any good zombie movie, this is the part just before all hell breaks loose. When you’re back in the car, driving through an infected city, and everything is eerily quiet. Maybe even peaceful. Maybe the cassette you’ve popped in has a cheery du-wop song playing. Maybe it reminds you of better times. The river and the bridges and all those vacant buildings come rushing past, then fade into your rearview.
And I had that feeling then, as I drove. But it was little more than a dim echo heard from miles out. I barely saw anything other than the road in front of me. I just pushed the accelerator.
And then I was back in the lot.
I turned the key and removed it. I saw the same light poles and the hospital’s brick façade, with the shadows now dissipating in the sun. I paused. My neck craned as I scanned around the perimeter. I was feeling a little jolt in my gut. Something approaching fear.
The wind dipped and thrusted under my seat, rocking the car like a boat. The sky was the same gray dusk as the pavement. If I squinted, it seemed almost as though the earth’s ceiling had collapsed. And maybe I could see them now, too, in that grainy middle-distance ahead: the zombies, lurching across a landscape as barren as the moon.
Something inside me shifted. The insect. My infection. Whatever it was became animated, made real. It leeched into my blood and metastasized, depositing itself in my bones, my forever-alert nervous system. It grew wings and flew around my ribs; it laid itself down in the thick chambers of my heart.
And then I was moving. Rushing through the lot, leaping over the meridians. I paused only briefly as the big bay doors opened. The welcome lobby was mostly empty, other than two masked greeters who stood by silently, wearing their pink volunteer vests with the stitching at the breast proclaiming “Welcome, healthcare heroes!” Two medical students sat hunched by the elevators. When I passed, one of them gave me a too-long stare, in the way children sometimes do.
The ICU was on the fifth floor, but you could hear it even before the elevator doors opened. The hissing of those ventilators, masked voices shouting, sneakers scuffing over linoleum. Feces and Clorox. After I buzzed myself through the bay doors, I found the tracking board and rested my weight against the nurse’s station. Breath came in short, splinted spurts.
And there on the screen, I found his name. Mr. Peregrine. Room 404.
And then someone was gripping my arm. I recoiled.
“Noah, what’s going on? You ok?” The hand was moving now, leaching up my elbow, and I felt a sudden jolt in my spine. I tripped back and almost fell. But then I looked up and saw Rinne’s eyes, glowing from behind a face shield. “You look awful,” I heard her say. “You need a mask?” She reached for me again, but again I pulled away. She let her hand fall and kept her distance.
“I’m fine,” I said. Because we were already there, weren’t we? Right outside his room.
Rinne just stared at me, which was too much somehow. I turned back to Mr. Peregrine’s room. In the glassed reflection I saw myself, and I saw Rinne too, now keeping her distance, looking alien in her hazmat suit. And, seeing myself, I suddenly felt naked. My face was exposed, fat all but gone from my cheeks. My loose skin sagged under its own weight. I was still wearing shorts and my legs seemed paler than I remembered. It occurred to me that I hadn’t looked in the mirror recently. Not for weeks.
Through the glass lay Mr. Peregrine. He was lying supine on his back, plastic tubing anchored in his mouth. His belly seemed less rotund now as it lifted and fell. A sheet covered his body, but below the right knee there was nothing. In the place where his leg should be, the blanket lay flat, placid, almost peaceful. It was flush against the mattress.
“They took his leg, didn’t they?”
Rinne’s muffled voice.
“What?”
She pushed her faceplate closer. “It’s not your fault.” Her face was almost totally covered. Just the twin green moons of her eyes shining through her face shield, looking at me, concerned. “I checked the chart,” she droned, her voice pushing through a field of cotton. “He never even went to the ER. His wife sent him back when his leg started to smell.”
“Wow,” I said.
“I know. You ok?”
I shook my head. “I don’t know,” I blurted. And I didn’t. All I had, all either of us had, were questions. Some of these could be answered. Some not. “What about us?” I finally asked. “Are we ok?”
And then Rinne stiffened. Her eyelid gave a little flinch. For a moment neither of us spoke. When I turned back to Mr. Peregrine, I didn’t even bother looking at the monitor. Through his window I could see trees blowing, and beyond this a chemical plant spitting exhaust into the sky. But behind all this, even further in the distance, there was the dim glimmer of sun, refusing to be choked out.
“He’s going to die alone,” I said. “Isn’t he?”
At first, she didn’t answer. Rinne just stood there, her eyes tight, her brow curling into a question mark. But then something in her face softened. The notches at the corner of her eyes disappeared. Then she put her hand back on my arm. This time, she didn’t let go.
“I don’t know,” she said. “But I’m sorry. Really, Noah. For all of it.”
I barely heard her. All the world’s sound seemed to be rising like steam anyway, evaporating itself away, to some other earth. The hissing was gone.
Rinne and I stood shoulder to shoulder. We stayed that way for a long while. We stared across the hall at Mr. Peregrine’s still body, and at the broad sky which framed him, across all those separations of glass and plastic and metal. Rinne was still holding my arm when I reached down and grasped hers. We looked again to each other. And for a brief flicker of a moment, I felt safely tethered to the earth again, holding her hand like that, feeling her touch in the silence. It seemed the only thing keeping me steady.
​​
​
By Brandon Ingalls
Brandon Ingalls is an Emergency Medicine physician living and practicing in Chicago. He has been previously short listed for the Bridport Prize in Fiction, and in 2025 he won the Master's Review Debut Fiction Prize. His work has also appeared in Fabula Press's bi-annual anthology.
Instagram: @brandoningalls
The Fanatic
​​​
During my sixth year in college, I started to think the solution to my problems was that I needed something to believe in. Anything. I wasn’t sure what—but I was a hundred percent convinced that I couldn’t survive another year casually drifting through my comfortable, forgettable life. I thought it would lead to a spiritual death that would haunt me till the day I died.
I wanted my boyfriend of two years, Harold, to take the leap with me—to believe in something too. He laughed in my face. He said belief was for people who didn’t have money or a future. Our families guaranteed both, so what was I worried about? We had it made. And, according to him, nobody really believed anything. They just thought they should. It was an aesthetic, a posture. At best, it was a way of making boredom look like urgency. At worst, it was people pretending to be revolutionaries because they thought it was cool or sexy.
​
“We don’t need another anxious college student pretending to be a revolutionary,” he said. “None of them know what they’re talking about. And most just want a picture with something burning nearby while they raise their fist in defiance so they can pretend they changed something. When the only thing they changed was their profile pic.”
I broke up with him a week later. I thought it was going to hurt or be messy—it was my longest relationship at the time—but it was surprisingly easy. It ended the way most of our dates had: casually, with nothing worth remembering. He didn’t even fight or argue. He was so calm it scared me. Harold was never one to explode, but I expected him to be at least a little mad. Instead, he just shrugged and said, “If that’s what you want, that’s what you want.”
My older sister tried to talk me out of it. She said I didn’t sound like myself anymore, that I was chasing a costume instead of a cause. She reminded me how rich Harold and his family were. She assured me I would regret it. I called her a narcissist and blocked her for a week. I don’t remember what she said back, but I remember how smug I felt hanging up. It didn’t feel like losing a family member. It felt like I was getting closer to a better version of myself.
Two weeks later I was dating Matthew, a gorgeous sophomore with thick curly hair who ran a political group and blog. The group organized many of the local protests, held charged weekly political discussions, and volunteered for local like-minded charities.
To this day, I have no clue what they were really about. I tried to learn—many times. I read the articles. I watched the documentaries. I even went to the book club meetings. But I always left more confused than before. There never seemed to be a clear, concise description—nothing someone like me could comprehend or hold onto. Any time I thought I was beginning to understand, something new would be added into the mix and I would be lost all over again.
I spent so much time trying to understand the group and its mechanics that I bombed an English midterm. My professor emailed to say she was disappointed in my “intellectual decline”. I deleted the message. Matthew stopped rehearsing his next planned passionate outburst in the bathroom mirror to tell me grades were a tool of oppression. I believed him. I needed a good reason not to care about my failing grades. I needed a good reason to justify the negative changes in my life. And he was more than willing to help.
Matthew was always nice and encouraging that way. He never explained things clearly, but he made me feel like not knowing was part of the process.
“It’s all really complicated,” he’d say, smiling, like that was supposed to comfort me.
Or: “It’s not about having answers—it’s about asking the right questions.”
I wanted to believe that was true. But I was never quite sure what the questions were.
If I told him I didn’t understand something, he’d smile and say, “You do though. You just don’t realize it yet.” Or, “That’s your inner discomfort processing the truth.”
I started to feel like understanding wasn’t allowed—like the whole point was to be lost together, but pretend we weren’t.
When I finally got the courage to press him for a real explanation, he’d say, “That’s a huge question,” and then launch into a story about some professor he admired or a time he “disrupted a narrative” on campus. He’d talk for twenty minutes and never circle back to my question.
Maybe that was the answer. Just keep talking until no one remembers what was asked.
At the weekly meetings, nobody ever disagreed with anything, even though we were always disagreeing with something. Someone would say the housing crisis was a symptom of colonial architecture, and we’d all nod like they’d just shared a tragic secret. Another girl said the real crisis was “asymmetrical memory distribution in late-stage dialectics.” Matthew repeated it twice like it was a mantra. I had no clue what it meant, but I clapped. Everyone clapped. I underlined the phrase three times in my notebook. I never opened it again.
During one of our protests—I forget what it was for—I began feeling like I understood the group and was truly a part of something. I held my sign high and chanted along with everyone, even though I didn’t understand what the chant meant. The energy felt pure.
Matthew squeezed my hand and said, “You’re glowing right now.”
“It’s the sunlight,” I joked, and someone nearby said, “No—it’s alignment.”
Then a girl passed out bracelets made of recycled ethernet cables and said wearing one was a vow of “informational celibacy.” I put mine on and pretended it made sense. Later, someone said it was part of the data fast. I didn’t know what that meant but I liked how it sounded.
Later, after an impromptu dance party to reinvigorate the protest, another girl with a nose ring handed me a sticker and told me to put it on my water bottle for the algorithm. I did without thinking or asking why or what that meant.
Afterward, someone asked how I felt.
“Whole,” I said. “Like I’m learning how to listen differently.”
They nodded solemnly and said, “Yes. Listening is an act of decolonization.”
That was confusing yet comforting to hear. Like I was being reassured in a language I didn’t speak. For some reason it felt good to be confused, like confusion meant I was finally paying attention. But I think I just didn’t want to feel alone.
To calm Matthew down and quiet some of his fears about my family money, I sold a necklace my grandmother gave me and donated the money to the cause. I don’t remember what the cause was — a community garden for liberation or something to do with food apartheid. The site link’s broken now. But everyone clapped when I announced it at the next meeting.
“You’re really becoming one of us,” Matthew whispered, which felt good to hear. Especially since it seemed like I was sacrificing more and more to be a part of the group.
Then, just when everything was starting to make sense, the phrase neuroimperialist aftershock emerged gradually, like a gas leak. One day it wasn’t there. Then suddenly it was in every pamphlet, every group chat, every aside from Matthew when he wanted to sound thoughtful. People said it with reverence, like it explained something unspeakable about the world. At first I thought it was a joke—one of those ironic phrases that gets passed around for fun. But then I realized no one was laughing.
At a meeting, one hairy guy insisted on pronouncing it with a fake French accent: “neuro-im-pair-ee-ah-LEEST.” Someone groaned and everyone pretended not to notice. Another girl claimed saying it too casually “flattened its semantic resistance.” I wasn’t sure the best way to say it but I was positive we would figure it out.
The more I heard it, the more I started to believe it meant something. Or at least, it was safer to pretend it did.
“That’s a neuroimperialist aftershock,” Matthew said one night after I told him I had a weird dream about my phone apologizing to me. It sounded serious and cool, like something you couldn’t question without exposing yourself.
When we were alone, I asked what it meant and he said, “It’s a framework more than a definition.”
After that, everyone just nodded when it came up. I stopped asking for explanations. I didn’t think anyone knew what it meant. But everyone started using it like they did.
I started hearing rumors about Harold being the one who coined neuroimperialist aftershock, but I didn’t believe them at first. It sounded too weird, too petty, too perfectly Harold. Every few days, someone would say, “Wait, didn’t your ex invent that?” and I’d fake a cough and shrug like I didn’t hear them. And besides, no one that smug would actually go viral—right?
To my shock and surprise, it turned out Harold had invented the term neuroimperialist aftershock. I found out from a link someone posted on Discord titled What the Aftershock Actually Means. I clicked it and nearly dropped my phone. There he was: sunglasses on, chin down, fist raised like he was posing for a revolutionary funeral. Apparently, college groups were paying him thousands for speeches over Zoom.
I thought it was a joke. Like the universe had found a way to mock me. But no—it was real. He’d made it up on a dare, I think, or maybe just to see what would happen. Now it was everywhere. His social media was full of black-and-white photos of him looking solemn with his fist raised. The caption said, “Aftershocks are everywhere.”
When Matthew found out I used to date him, he asked if I’d reach out and convince him to speak to our group.
“He might give a talk for free,” he said.
I said, “I probably shouldn’t. Things are still weird between us.”
But when Matthew messaged him, Harold agreed. Immediately.
In the greenroom, on the night of the speech, Matthew hovered around Harold like a student meeting his favorite professor. He kept asking wide-eyed questions and nodding furiously at every vague answer Harold gave. It was gross. He asked Harold at least fifteen questions in a row. What books inspired him? What exactly did he mean by “aftershock”? Did he feel pressure being the voice of a generation? Harold gave half-answers with a smirk, like he was barely listening.
“That’s so true,” Matthew kept whispering. “That’s exactly how I’ve felt.”
I stood there, trying not to cringe out of my body. I couldn’t take it.
I thought, “Maybe Harold was right from the start: revolution didn’t have to be real—it just had to look good on camera.”
The moment Matthew said, “Honestly, you’re kind of a hero to us,” I walked out. I found a seat near the front and tried to focus on breathing. I stared at the stage, hoping I’d misheard something. A few minutes later, Matthew slid in next to me, beaming.
“This is gonna be good,” he said.
When Harold walked out, the applause was loud enough to hurt. The sound hit me like a wave, and for a moment, I almost believed he deserved it.
That scared me more than anything.
To be fair, I clapped too, but only because not clapping would’ve drawn more attention. I didn’t want to look like the only person in the room who knew the joke was on them.
When he started speaking, I felt something twist in my stomach—pride, maybe. Or shame. Or whatever emotion comes from watching the worst person you know become the voice of something you wanted to believe in.
He opened with: “To understand the aftershock, you must first amputate the self.”
People gasped like he’d said something beautiful. I scribbled it down, even though I knew it didn’t mean anything. I think that’s when I started sweating.
A lot.
He always said belief was just another performance.
And maybe the worst part was, I finally understood what he meant.
The speech was long. Too long, in my opinion, but everyone cheered and applauded when Harold stopped after he seemingly made a point. I don’t remember the specifics, but it’s online if you really want to suffer through it.
But if you knew Harold—really knew him—you could hear it. The entire thing was satire. Every vague phrase, every over-enunciated “aftershock,” every dramatic pause—he was mocking the group, top to bottom. Every sentence was a test. A test to see how far he could push the group, how hollow the words could get before someone called him out. No one ever did. He layered the speech with contradictions, fake citations, and phrases he once told me he made up just to see if people would nod. It worked. He said, “Solidarity is a myth, but myths are the most honest form of truth.” Then two minutes later: “Truth is a colonial framework we must demolish brick by brick.” No one noticed the contradiction. They applauded both lines. They nodded. I couldn’t stop sweating. I wanted to scream, but instead I smiled and pressed my hands to my lap.
To keep my mind occupied I counted how many times he said “aftershock.” He said it thirty-seven times. Thirty-seven. At one point he said, “There are aftershocks to the aftershocks of the aftershocks.”
The audience clapped like it was poetry.
I don’t remember all the details. To be fair, I don’t think they were meant to be. Just felt. And what I felt—sitting there, smiling too hard, sweating through my shirt—was humiliation.
Harold even cited “Klara Weintraub’s elasticity doctrine” like it was common knowledge. Later that night I googled it and found nothing. He had made her up.
At one point, he said, “The real tragedy of the aftershock is how many of you mistake echo for thought.”
No one flinched. Someone even stood up and yelled in agreement.
After the speech ended, I sat in my chair and watched Matthew spend the next hour asking Harold the same questions I once asked Matthew in bed while stroking his beautiful curly hair—what books he loved, what he was afraid of, what the future of revolution looked like. A few people got selfies or autographs.
I slipped out while no one was looking and texted Matthew that I felt sick and needed to be alone. It was the truth.
It made me sick to be the only one who got the joke.
In the days that followed, I kept waiting for someone to admit that Harold had mocked us the whole time with his speech. But no one did. Matthew repeated Harold’s lines like they were his own. Matthew still talked about neuroimperialist aftershocks with reverence, as if Harold hadn’t spent an hour laughing at us. To make it worse, the group started using new words Harold had made up, and I felt like I was living in a satire or was the star of a very long practical joke.
When, after a rather boring and argumentative dinner, I finally hinted that Harold might’ve been mocking us, Matthew said, “No, that’s just meta praxis. He’s exposing the performance of belief through belief itself.”
I almost asked him to repeat that. Then I realized he didn’t know what it meant either.
The next morning, as part of his last laugh at us, Harold dropped a link to a manifesto in the description box for the video of his speech. The manifesto was mostly an AI-generated string of phrases like “reclaim the episteme of dissociation” and “vandalize your memory’s archive.” It finished with, “Say something confusing enough and they’ll call it vision.” He didn’t even erase the text exchanges with the ChatGPT bot. No one seemed to notice. Or care. It felt like to point it out would be wrong or harmful to the cause.
A week later, I saw a photo from the event circulating online. I was in the front row, clapping, smiling. The caption said, “True believers always show up.”
I didn’t recognize my own face.
I figured my relationship with Matthew was done after that. But somehow, we weren’t. We didn’t talk about the speech again. That helped.
The final straw was when, a few weeks later, Harold convinced Matthew to shave his head on a livestream for an atrocity that might not have happened.
The relationship didn’t last long after that. I could forgive a lot, but not the loss of that beautiful hair. Once it was gone, so were we.
I checked his profile a few days later. He was posting shirtless photos from a “recovery retreat.” The caption said: Healing is a radical act.
Around that time, I saw an ad for neuroimperialist aftershock–branded water bottles. The caption said: “Stay hydrated while dismantling inherited trauma.”
They sold out in three hours.
After it came out Harold’s family were behind the water bottles all along—that they’d made millions off the movement—he texted me, “I told you so.”
I left it unread. Then I blocked him.
I had never been more embarrassed.
And the worst part was, years later, I still catch myself using the word. I even said it in front of my sister to make a point. She nodded like she understood. Like I had won the argument.
But I don’t think she did.
I didn’t.
But that didn’t matter.
It worked.
It just did.
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By Wyatt Robinette
Wyatt Robinette lives in Tucson, AZ with two very cute cats. His work has appeared in Bourbon Penn, Citywide Lunch, and The Pixelated Shroud. It is forthcoming in Blood + Honey and Scaffold Lit.
X: @vvyattrr
Wash​​​
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The Painter’s brush, shriveled and cracked, sat atop a pile of untouched newspapers dating back four years. The headlines were dusted with specks of black, blue, purple. The Painter found such color scheme monotonous, dull. But she was fond of them. And he was fond of her.
The Painter was born into life wielding a magnetic pull to art. He seemed to create out of essence, an affinity unlike any other. His humble apartment was adorned, murals of vivacious color, unabashedly revelling in his happiest moments through a brush and tin. Friends swore that when the lights were off, it was not candlelight that brightened the room, but the Painter’s vivacity radiating through the canvases.
In his study lay works crafted from another part of him. Twisted limbs of charcoal contorting unnaturally, deep gashes of burgundy flung across white. Pure hatred, wails of sorrow, unadulterated rage pulsed through every crevice of the unkept room. He was cautious to not let the keys fall into others’ hands, meticulous in his seclusion.
She was as weightless as a watercolor stroke. An ephemeral beauty. He envied anything, lipstick, for the way it caressed her lips. Her eyes were devoid of color, but he envisioned lifetimes of art within them. Her laughter clung to the walls, strands of hair woven into carpet fibers and the space between window panes. There was always something hovering behind her smile, trembling. But he loved her in full. Light, shadow, and silence. He painted her as he wished her to be, not always as she was. Now, her absence took up more room than she ever had in life. Her hollow spirit tormented him, a tenant in his space and testament to his suffering.
The Painter had long stopped speaking to others. The cracked phone sat deep under his sofa, rarely making a sound. When it did, he sufficed to let it ring until it tired of trying. One by one, voices slipped away. First he felt them gently, then with resolve. He hadn’t fought it. It was easier that way, to live inside the memories, the past. To let them speak louder than the present ever could.​
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The door to his study remained locked for four years. He kept the key wrapped in frayed gauze, as though to protect himself from infection. But that morning, he found himself with it cradled in his palm, thumb brushing over the rusted teeth in something of a prayer.
The hinges whined as he pressed. The light was different in here. Slanted, grey, as if the sun did not want to intrude. The paintings remained unchanged. Rage suspended in brushstrokes. Pain embalmed in canvas. Some had been slashed down the middle, others layered until the paint crusted an inch deep. Faces with no eyes, rooms with no exits, mouths open in perpetual scream. His sorrow had never been one to whisper, instead it howled.
The brushes sat where she had last cleaned them. Dried bristles of brittle hair. The water in the jar had long since evaporated, leaving behind rings of paint residue. He traced the rim absently, knuckles brushing against dust, wondering what it might have looked like if he had painted her in full. Her laugh, her hurt, her ending.
It was a Tuesday when he rose before dawn. Not because he planned to, but because something in the silence cracked. He opened the studio door wide, letting in light thick with early morning haze. The room blinked under it, seeming disoriented by the intrusion. He stood still. Then he began.
First the windows. Then the floor. Then the shelves. With every broken sponge, he scrubbed at the years that had settled within the decaying walls. It took hours. He didn’t count.
He turned to the canvases. One by one, he lined them against the wall. The twisted things, the ones no one had seen but him. The weight of them made the floorboards creak. He filled a rusted tin with water. Then another. Murky, lukewarm, smelling faintly of mildew. He lifted the first and hesitated.
Then he threw.
The water hit the canvas with a slap. Charcoal bled. Burgundy bled. The color ran down, wailing. Until each painting bowed under the weight of it. He did not cry, nor did he speak. He just stood there, soaked in the aftermath. The studio, once pulsing with her echoes, was quiet now.
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Later, he set the canvases down like fallen bodies, their colors bleeding into the cracked floorboards. His hands trembled, slick with paint and water, tracing the empty space where her face once lived in brushstrokes. The silence wasn’t absent anymore. There was a heartbeat just beyond the walls. As he stepped back, his eyes caught a sliver of light fractured on the floor. For the first time in years, the Painter felt the itch beneath his skin. Something alive.
He didn’t reach for the brush.
Not yet.
But the air shifted, and in the quiet, the faintest whisper of a new beginning brushed against his skin like a lover’s breath.
Days passed as slow ripples on a stagnant pond. The Painter lingered in the studio, no desire to do anything but stare at the sunlight crawling across the worn floorboards. It traced the cracks and imperfections like the veins of a weathered leaf.
He began to notice smaller things. The way the faint scent of rain clung to cracked windowpanes, the soft creak of the building settling beneath the weight of years. It was as if the studio itself was exhaling, releasing a breath it had held for too long.
It was a dark evening, spilled ink spread across the sky. The Painter found himself drawn to the old brush again. His fingers trembled as they curled around the worn handle. He didn’t know if he was ready to paint her face once more, or if he could. But the brush felt alive in his hand, it hummed softly as if to coax.
He dipped it into clean water. His first stroke was hesitant. A whisper of charcoal on a blank canvas. The paint trembled beneath the brush in anticipation.
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Slowly, the room began to fill again. With each stroke he recalled another piece of her. Her crooked smile lines, the way she took her tea early in the morning. The days she spent curled under his sheets, offering a casual intelligence that sent him spiraling by the quiet gravity of her insight. The Painter painted not to capture her image, but to honor her absence. The hollow space that shaped every shadow.
The brush moved on, steady now, weaving light and shadow into something new.
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By Zoe Daou
Zoe Daou is a Lebanese-Chinese writer based in New York. Her work explores memory, permanence, and the intimacy of silence. She is drawn to characters who haunt and are haunted, often writing in the quiet space between grief and creation. When she’s not writing, she’s often baking, lifting weights, or trying to catch the light in a painting.

